The training

InDesign core

The training

InDesign core

The essential knowledge pack indispensable to InDesign users.
Adobe InDesign CC


The leading and the most advanced page layout editor in professional appliances nowadays

Training profile

Although the training may include an introduction for beginners, its main task is to familiarize trainees with the Photoshop essential toolbox. It is about a set of universal skills and procedures, indispensable in everyday work always, regardless of the specific tasks performed.

All the material covered can be described as “a solid medium plus” level. We guarantee that the acquiring and practicing of the presented material will ensure competence, allowing you to cope with the duties in a professional graphic studio.

Each training we conduct is personalized, that is, adjusted to the knowledge and needs of the trainees. The training program presented below is a well-thought-out proposal, which you are welcome to modify according to the specifics of your studio.

We encourage you to customize the program, for example, by:

  • a short videoconference meeting online, during which we can establish organizational and program details;
  • sending your expectations in advance of the training in the form of an email, preferably with ready examples of the tasks ahead of you (links to the reference graphics on the Internet are most welcome);
  • expressing your expectations during the training already in progress.

During the training the proficiency in computer operation is necessary.

TLDR: core = beginner + intermediate

A proficiency level of a training is commonly categorized as beginner, intermediate, advanced. Such division surely does apply in other fields of education, however in case of Adobe applications, we find it impractical, or even confusing.

The reason is very steep learning curve at the beginning of studying Adobe applications. Novices need to invest considerably large amount of time and effort to even begin operating on their own.

The concept of “steep learning curve” may be illustrated with an example of training to pilot an aircraft. A set of skills is needed there: knowledge of an airplane construction, geography, a meteorology, a structure of an atmosphere, etc.). Only merging those indispensable competences combines into flying a plane. It’s a necessity to master them altogether – You cannot take off a plane “partially”, “a little bit”.

In our experience, it is more profitable for participants to deliver the “InDesign core” material as a whole and not to artificially divide it into “beginner” and “intermediate”. Before mentioned commonly used categorization (beginner – intermediate – advanced) might be compared to our offer in such a manner: in case of InDesign, the “beginner” level does not exist at all, and our “InDesign core” is adequate to “solid intermediate plus”.

The “core” in the training’s name refers to a hub, an crucial essence of tools, skills and procedures which must be mastered, regardless of the specific nature of performed tasks.

We also plan to add specialist trainings to our offer, presenting InDesign application as a tool for specific purposes (i.e. courses „InDesign ebooks” and „InDesign high volume docs”).
The training is offered both in English and in Polish.
  • After completing „InDesign core” at least 6 months are required for a new knowledge to settle in and intertwine into everyday’s tasks. Then, the skills might be extended even further with the course “Prepress for designers”, which focuses on techniques of project print preparation and cooperation with the printing house
  • We offer also training in Photoshop – the ability to effectively work with raster images often proves to be indispensable

Training objectives

Training succeeds:

  • if participants have a similar level of knowledge (very important);
  • the group should be no more than 6-7 people;
  • it is helpful when the participants are relieved from other duties so that they can focus only on learning.

Regarding videoconference online training:

  • The day before the training, we recommend testing the computer and software and downloading exercises so that the next morning everything is ready for work;
  • very important: two displays; one showing the remote trainer’s presentation, the second for the student’s individual practice. More info on working with two monitors.

After the training:

  • After completing the course, daily professional contact with InDesign is necessary: work, practical tasks.

Training duration

The standard training lasts for 24 school hours. It is 3 days, 8 school hours each.

There is an option to shorten the course to 2 days (16 lesson hours), which is only suitable for people who already have had extended contact with Adobe applications before. For beginners, a 2-day course means reducing the number of practical exercises, which disrupts the proper balance between theory and practice.
08:45

Gathering

Workplace preparation, attendance list, organizational arrangements

09:00

Beginning of a training

An introduction & lesson start right on time

10:45

Coffe break (15 min.)

A short breather to stretch your legs

12:30

Lunch break (45 min.)

45 minutes to rest, relax and to have a meal

14:30

Coffe break (15 min.)

The last break on this training day

16:00

End of a training day

A quick review of the topics covered

Naturally. The presented schedule is a proposal based on the experience from previous training sessions, however, the trainer can adapt flexibly to the client’s requirements.
Yes, of course. If students wish, breaks can be shifted at will.

Online training

Stationery training

If you prefer a training in a videoconferencing form, we offer our courses in Poland and abroad as live online classes, through modern platforms like Zoom, Teams, etc.,
Do you prefer a stationary training conducted locally, at the premises of your company? We offer on-site courses throughout Poland.

Stationery training

Do you prefer a stationary training conducted locally, at the premises of your company? We offer on-site courses throughout Poland.
If you prefer a training in a videoconferencing form, we offer our courses in Poland and abroad as live online classes, through modern platforms like Zoom, Teams, etc.,

Online training

If you prefer a training in a videoconferencing form, we offer our courses in Poland and abroad as live online classes, through modern platforms like Zoom, Teams, etc.,

Stationery training

Do you prefer a stationary training conducted locally, at the premises of your company? We offer on-site courses throughout Poland.

Training program

Let us emphasize the flexibility of the course: a trainer chooses exercises accordingly to specific training objectives set by a student, who takes time to practice only exercises that are directly useful and advantageous. The training program is a proposal, well thought-out and proven in practice.

We proceed on the premise, that a training should flexibly adjust to student’s needs, but never the other way around.

Introduction
  • Organizing data flow while working in the Creative Cloud environment. The role of InDesign as a member of the Adobe applications family
  • Comparison of Id and Ai functionality as vector graphics editors
  • Customization of the Id interface
  • Working with multiple documents and moving objects among them
  • Multi-page document navigation + shortcuts
  • Display modes and preferences
  • Changing the default InDesign measurement units and individual units of a document
Page dimensions
  • Page dimensions in the “A” series of the ISO 216 standard
  • Defining the page size: manually or precisely (with numerical values)
  • What are bleeds and when do You need them
  • The nett job size
  • Extending of an artwork to a bleeding area
  • Exporting to PDF without bleeds (to the internet) and with bleeds (for printing)
  • Automatic placing of cut marks
  • Artwork with non-rectangular cutting shape (e.g. with a window, oval-shaped, etc)
  • The notion of the cutting tolerance
  • Guillotine and die cutting techniques and the resulting constraints for the designer
  • Ways to eliminate bleeds by optimizing the design
  • Having a project at the design stage, how to avoid possible cutting problems later on?
Page layout
  • Working with multipage documents
  • Single pages and facing pages
  • Setting up inner margins and columns
  • Page coordinates: precise setting of positions and distances on a layout
  • Operation and use of guidelines
  • The exercise: the layout of folded flyer and other nonstandard page configurations
Grids
  • Configuration and use of check / line grids
  • Forcing text to be aligned uniformly on all document pages
  • Calculation of interline depending on text attributes
Working with text
  • Overview of the rules of editorial work; substantive, linguistic and technical proofreading, correcting, proofreading marks
  • Typeface features, font families
  • Handling InDesign’s text frames
  • Searching for text, character, style, object
  • Spell check, adding new words to the dictionary, automatically highlighting errors during writing
  • Text frame threads (text flow through frames), adding frames to a thread, changing thread order
  • Placing large amounts of text into a layout with automatic threading
Text formatting and styling
  • Adobe Fonts service (cloud fonts)
  • Inserting custom characters (not available from the keyboard)
  • Formatting text and paragraph
  • Defining, assigning, editing a style: a quick and simultaneous change of text attributes in many places in a project
  • Importing MS Word documents while maintaining their original styling
  • Converting text to outlines
Typesetting
  • Matching the width of columns to the font size + automatic hyphenation
  • Manual hyphenation adjustments
  • Special characters: hyphen, en-dash, em-dash, non-breaking space, forced line break, and other hidden formatting characters
Layers
  • The concept of the object stack
  • Layers as a way of effective object management (project examples)
  • Moving objects among layers
  • Transferring multiple objects among documents while preserving the layer structure
Editing objects
  • Drawing basic shapes, options, keyboard shortcuts
  • Precision drawing of objects with specified dimensions
  • transformations: move, duplicate, rotate, mirror, scale both manually and precisely, using numerical values
  • Alignment of objects in relation to page bounds or to each other, distributing objects evenly
  • Grouping objects
  • Exercises in building complex shapes from basic objects
  • Techniques of masking graphics
  • Locking objects, groups, and layers as a protection against accidental changes
Editing paths
  • The anatomy of a path, Bézier curves
  • Open and closed paths, cutting & joining paths
  • Editing techniques: drawing paths and arcs, modifying their profiles + shortcuts
  • Merging, cutting, adding, subtracting and simplifying shapes
  • Freehand drawing of paths; smoothening
  • Placing text into any shape
  • Text following a path
  • Compound paths
Strokes
  • Applying strokes to objects and to texts
  • Dashed and double strokes, filled with gradient, arrows, etc.
  • Quick copying attributes from one object to the others
Master pages
  • The concept of master pages
  • Adding repetitive graphic elements to multiple pages at once (e.g. pagination, background under the text)
  • Master pages – of master pages (hierarchical structure)
  • Quickly applying page numbering to selected pages of a document
Placing illustrations
  • A difference between placing and embedding illustrations
  • Placing multiple images into a project in one go
  • The concept of resolution (DPI) and it’s inverse dependency to the pixel size
  • Mastering the image resolution: applying, controlling, picking the right resolution depending on the real-world appliance
  • Inspecting placed images: checking color mode and resolution
  • The difference between a container and it’s content: framing, scaling, rotating images
  • Quick swapping a picture for another one
  • Locating and repairing broken links
  • Techniques of warping text around images
Colors
  • Applying colors using numeric values in Grayscale mode, decimal RGB, hexadecimal RGB, and in CMYK percents
  • Attributes of object fill & object stroke
  • Saving colors in own library for future use (e.g. corporate identification colors)
  • Applying one color sample to multiple objects linked dynamically (quick adjusting color in many places simultaneously)
Gradients
  • Creating halftone vignettes (i.e. linear and radial gradients)
  • A gradient applied to a stroke
  • Saving a gradient as a sample in Swatches
Effects
  • Applying transparency to an object (or independently to fill or to stroke only)
  • Transparency gradient
  • Adding, adjusting, clearing effects
  • Quick copying appearance among objects
  • Object styles: applying a set of attributes to objects (e.g. adding the same consistent shadows to the all pictures in the project)
  • Overview of useful effects; examples of applications
Introduction
  • Organizing data flow while working in the Creative Cloud environment. The role of InDesign as a member of the Adobe applications family
  • Comparison of Id and Ai functionality as vector graphics editors
  • Customization of the Id interface
  • Working with multiple documents and moving objects among them
  • Multi-page document navigation + shortcuts
  • Display modes and preferences
  • Changing the default InDesign measurement units and individual units of a document
Page dimensions
  • Page dimensions in the “A” series of the ISO 216 standard
  • Defining the page size: manually or precisely (with numerical values)
  • What are bleeds and when do You need them
  • The nett job size
  • Extending of an artwork to a bleeding area
  • Exporting to PDF without bleeds (to the internet) and with bleeds (for printing)
  • Automatic placing of cut marks
  • Artwork with non-rectangular cutting shape (e.g. with a window, oval-shaped, etc)
  • The notion of the cutting tolerance
  • Guillotine and die cutting techniques and the resulting constraints for the designer
  • Ways to eliminate bleeds by optimizing the design
  • Having a project at the design stage, how to avoid possible cutting problems later on?
Page layout
  • Working with multipage documents
  • Single pages and facing pages
  • Setting up inner margins and colums
  • Page coordinates: precise setting of positions and distances on a layout
  • Operation and use of guidelines
  • An excercise: the layout of folded flyer and other nonstandard page configurations
Grids
  • Configuration and use of check / line grids
  • Forcing text to be aligned uniformly on all document pages
  • Calculation of interline depending on text attributes
Working with text
  • Overview of the rules of editorial work; substantive, linguistic and technical proofreading, correcting, proofreading marks
  • Typeface features, font familes
  • Handling InDesign’s text frames
  • Searching for text, character, style, object
  • Spell check, adding new words to the dictionary, automatically highlighting errors during writing
  • Text frame threads (text flow through frames), adding frames to a thread, changing thread order
  • Placing large amounts of text into a layout with automatic threading
Text formatting and styling
  • Adobe Fonts service (cloud fonts)
  • Inserting custom characters (not available from the keyboard)
  • Formatting text and paragraph
  • Defining, assigning, editing a style: a quick and simultaneous change of text attributes in many places in a project
  • Importing MS Word documents while maintaining their original styling
  • Converting text to outlines
Typesetting
  • Matching the width of columns to the font size + automatic hypernation
  • Manual hypernation adjustments
  • Special characters: hyphen, en-dash, em-dash, non-breaking space, forced line break, and other hidden formatting characters
Layers
  • The concept of the object stack
  • Layers as a way of effective object management (project examples)
  • Moving objects among layers
  • Transferring multiple objects among documents while preserving the layer structure
Editing objects
  • Drawing basic shapes, options, keyboard shortcuts
  • Precision drawing of objects with specified dimensions
  • transformations: move, duplicate, rotate, mirror, scale both manually and precisely, using numerical values
  • Alignment of objects in relation to page bounds or to each other, distributing objects evenly
  • Grouping objects
  • Exercises in building complex shapes from basic objects
  • Techniques of masking graphics
  • Locking objects, groups, and layers as a protection against accidental changes
Editing paths
  • The anatomy of a path, Bézier curves
  • Open and closed paths, cutting & joining paths
  • Editing techniques: drawing paths and arcs, modifying their profiles + shortcuts
  • Merging, cutting, adding, subtracting and simplifying shapes
  • Freehand drawing of paths; smoothening
  • Placing text into any shape
  • Text following a path
  • Compound paths
Strokes
  • Applying strokes to objects and to texts
  • Dashed and double strokes, filled with gradient, arrows, etc.
  • Quick copying attributes from one object to the others
Master pages
  • The concept of master pages
  • Adding repetitive graphic elements to multiple pages at once (e.g. pagination, background under the text)
  • Master pages – of master pages (hierarchical structure)
  • Quickly applying page numbering to selected pages of a document
Placing illustrations
  • A difference between placing and embedding illustrations
  • Placing multiple images into a project in one go
  • The concept of resolution (DPI) and it’s inverse dependency to the pixel size
  • Mastering the image resolution: applying, controlling, picking the right resolution depending on the real-world appliance
  • Inspecting placed images: checking color mode and resolution
  • The difference between a container and it’s content: framing, scaling, rotating images
  • Quick swapping a picture for another one
  • Locating and repairing broken links
  • Techniques of warping text around images
Colors
  • Applying colors using numeric values in Grayscale mode, decimal RGB, hexadecimal RGB, and in CMYK percents
  • Attributes of object fill & object stroke
  • Saving colors in own library for future use (e.g. corporate identification colors)
  • Applying one color sample to multiple objects linked dynamically (quick adjusting color in many places simultaneously)
Gradients
  • Creating halftone vignettes (i.e. linear and radial gradients)
  • A gradient applied to a stroke
  • Saving a gradient as a sample in Swatches
Effects
  • Applying transparency to an object (or independently to fill or to stroke only)
  • Transparency gradient
  • Adding, adjusting, clearing effects
  • Quick copying appearance among objects
  • Object styles: applying a set of attributes to objects (e.g. adding the same consistent shadows to the all pictures in the project)
  • Overview of useful effects; examples of applications
What makes us 
stand out 
?
We offer 
individual 
live online 
competitively priced 
customizable 
trainings.
CALENDAR3-3
Close delivery dates
We specialize in closed training courses aimed at companies and institutions, so we can offer quick delivery times. We do not reschedule agreed trainings unless requested by the client.
Artboard 2
Even for a one trainee
Are you looking for a position training for a newly hired employee? We will deliver it in the form of remote online training or onsite stationery training at your company office in any location in Poland.
Artboard 1
Customizable courses
The modular construction of the training material allows for flexible adjustment of the material exactly according to the needs of the participants, even on an ongoing basis during the training session.
What makes us 
stand out 
?
We offer 
individual 
live online 
competitively priced 
customizable 
trainings.
CALENDAR3-3
Close delivery dates
We specialize in closed training courses aimed at companies and institutions, so we can offer quick delivery times. We do not reschedule agreed trainings unless requested by the client.
Artboard 2
Even for a one trainee
Are you looking for a position training for a newly hired graphic specialist? We will deliver it in the form of remote online training or onsite stationery training at your company office in any location in Poland.
Artboard 1
Customizable courses
The modular construction of the training material allows for flexible adjustment of the material exactly according to the needs of the participants, even on an ongoing basis during the training session.
What makes us 
stand out 
?
We specialize in closed training courses aimed at companies and institutions, so we can offer quick delivery times. We do not reschedule agreed trainings unless requested by the client.
Are you looking for a position training for a newly hired graphic specialist? We will deliver it in the form of remote online training or onsite stationery training at your company office in any location in Poland.
The modular construction of the training material allows for flexible adjustment of the material exactly according to the needs of the participants, even on an ongoing basis during the training session.
Estimated training cost

Price

The calculator below will give you a close indication of the training price. To get a final binding offer, multiple variables have to be accounted for, therefore please contact us directly.


Recommended group size (4–8 people)
Other variants

Contact us

If You want to ask about our training offer, services or need any additional information, we invite You to contact us.
For Your coonvenience there is the contact form below. A more direct forms of contact are also available – details upon request.

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      EMAIL

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